Don't ask me how I discovered The Ting Tings cause I honestly can't remember. I heard their name mentioned somewhere and one day, I was looking for some new music to listen to and I tried their name in a Youtube search. The first song I listened to was 'Shut Up And Let Me Go' from their first album. I was hooked. The relentless and infectious beats layered in the fantastic rhythm guitars and the most interesting vocals I've heard in a long time.
This is their second album and first one I'm actually reviewing. I've become such a huge fan of this group I purchased their entire catalog in the same week. A little bit of research helped me determine this version of the album was the one I wanted to buy. It includes a whole slew of bonus tracks. Most of them are mixes, but there's also a couple of b-sides included.
The album starts off with 'Silence'; which sorta reminds me of one of The Chemical Brothers' stadium anthems. It seems they always include one semi-slow song that builds and ebbs, like 'The Private Psychedelic Reel'. It's usually quite long. Even though 'Silence' doesn't fit that criteria, the progression and keyboards remind me of these tracks.
And then, we're right into the funky pop rock The Ting Tings do so well. 'Hit Me Down Sonny', 'Hand It Up' and 'Give It Back' are like a power trio of funky fun goodness you can't help but shiver and shake to. All three of them are amazing by themselves but even more satisfying when you put them together.
'Guggenheim' is a bit of an anomaly. It fits the format of those old girl groups like The Shangri-Las' track, 'Leader Of The Pack'. Infused with some punk aggression, this track is definitely a stand out and quite powerful. It's followed by one of the more funky typical TTT track, 'Soul Killing'. It's probably my favorite track on the album. I love this one, but to be honest, I usually let the disc play through without skipping or playing individual tracks, that how solid I think the album is and how much I like the entire disc.
'One By One' ventures into a more electro style and the vocals are much more subdued than usual. Adversely, 'Day To Day' relies on an acoustic guitar played over some synth sound effects patches and the vocals are more soulful and layered.
'Help' is another anthem-like track, but it's also the only song I would actually consider a ballad on the album. It's followed by 'In Your Life' which I can only describe as something like Nancy Sinatra's cover of 'Bang Bang'. Originally written by Sonny Bono for Cher, Sinatra's version features a tremolo guitar and that's the prominent instrument on this track. It's a very haunting track.
This would constitute the main body of the album, but then you get all the bonus material on the deluxe edition. There are two additional songs, 'Hands' and 'Ain't Got Shit'. 'Hands' is actually a mix and it sounds almost like an 80's single. There's a fun beat driven by the keyboards. Not much there, but still quite fun. 'Ain't Got Shit' is probably the most experimental track on the disc. It utilizes a simple electro beat throughout and Katie White's vocals sound rather distant because of an echo effect. It takes the tone of an old spiritual, but at the same time sounds mysterious and strange. I actually really like the song! I think it's a highlight on this disc.
The rest of the tracks are mixes and a demo version of 'Give It Back'. I quite like the mixes. They're all decent and enjoyable. I'm super excited about the demo for 'Give It Back'. It's a rockin' track by itself. The demo only gives it more of an edge. It feels somewhat raw and that unpolished sounds makes it even louder, stronger and energetic.
I can't recommend this group enough. They've got a style all their own. They're crossing genres and sounds to create some excellent material for your ears. I'm always surprised by the variety I hear in their music! You need to check them out. Like right now.
My final words: YOU WON'T MISS WITH THIS DISC. ONE OF THE MOST EXCITING NEW GROUPS I'VE HEARD!
THE TING TINGS - SOUNDS FROM NOWHERESVILLE
01. Silence
02. Hit Me Down Sonny
03. Hang It Up
04. Give It Back
05. Guggenheim
06. Soul Killing
07. One By One
08. Day To Day
09. Help
10. In Your Life
11. Silence (Bag Raiders Remix)
12. Hang It Up (Inertia Remix)
13. Give It Back (Demo)
14. Hang It Up (Abacus & Vargas 'Predator' Remix)
15. Hands (Mixed By Calvin Harris)
16. Guggenheim (Andy Taylor 'Got It Right' Remix)
17. Hang It Up (Shook Remix)
18. Ain't Got Shit
19. Hang It Up (CKB Remix)
Showing posts with label Nancy Sinatra. Show all posts
Showing posts with label Nancy Sinatra. Show all posts
Thursday, January 19, 2017
Wednesday, October 20, 2010
KON KAN - MOVE TO MOVE
I never knew much about Kon Kan when I bought this cassette. I can't even think why I bought it in the first place other than someone mentioned it was a great tape. Since then, I've found it on CD and I paid full price for it when I purchased it at Tower Records in Las Vegas. As I researched the group for this article, I discovered they were a Canadian outfit. I think they're based in Ontario.
Anyway... I really liked certain tracks by this group. Enough to buy it on CD when I found it. At the same time, I've noticed the group relies heavily on musical elements they take from other songs rather than writing original stuff. Some samples are blatant, like Nancy Sinatra's 'These Boots Are Made For Walkin'', Led Zepplin's 'Immigrant Song', Lynn Anderson's '(I Never Promised You A) Rose Garden' and Silver Connection's 'Get Up And Boogie (That's Right)'. They record a sample and play it over their own beats. But some are more subtle. 'I Can't Answer That' revolves so heavily around Cameo's 'Word Up' it's a shock not to hear Larry Blackmon's vocals.
I've never been a huge fan of sampling, but I will say this much for Kon Kan... They usually use the samples to good effect and the result is often enjoyable. I think the band has a solid foundation in beats. Even the songs written without sampling like 'Bite The Bullet', 'Glue & Fire' and 'Move To Move' have exciting rhythm sections. The music is interesting and aggressive enough to be fun even though the lyrics are often weak and generic.
The weak point on the record is the ballad 'Am I In Love'. It's truly a downer on an otherwise carefree dance album. I've read Kon Kan released other records after this one and were active for many years. They're totally defunkt now and I haven't heard anything other than this one shining example. I remember this music fondly from my childhood and strongly recommend it to fans of 80's New Wave/Dance music. What it lacks in lyrical depth and musical originality, it makes up in groovy beats and simple hooks. You might like it if you try it. My final words: GREAT ZONE OUT.
KON KAN - MOVE TO MOVE
01. Arts' In D Minor/Harry Houdini
02. Bite The Bullet
03. Move To Move
04. I Can't Answer That
05. I Beg Your Pardon (I Never Promised You A Rose Garden)
06. Am I In Love
07. Glue & Fire
08. It Doesn't Matter
09. Puss N' Boots/These Boots (Are Made For Walking)
10. Arts' In D Minor/Harry Houdini (Justin Strauss 12" Remix)
11. I Beg Your Pardon (I Never Promised You A Rose Garden) (12" Remix)
Anyway... I really liked certain tracks by this group. Enough to buy it on CD when I found it. At the same time, I've noticed the group relies heavily on musical elements they take from other songs rather than writing original stuff. Some samples are blatant, like Nancy Sinatra's 'These Boots Are Made For Walkin'', Led Zepplin's 'Immigrant Song', Lynn Anderson's '(I Never Promised You A) Rose Garden' and Silver Connection's 'Get Up And Boogie (That's Right)'. They record a sample and play it over their own beats. But some are more subtle. 'I Can't Answer That' revolves so heavily around Cameo's 'Word Up' it's a shock not to hear Larry Blackmon's vocals.
I've never been a huge fan of sampling, but I will say this much for Kon Kan... They usually use the samples to good effect and the result is often enjoyable. I think the band has a solid foundation in beats. Even the songs written without sampling like 'Bite The Bullet', 'Glue & Fire' and 'Move To Move' have exciting rhythm sections. The music is interesting and aggressive enough to be fun even though the lyrics are often weak and generic.
The weak point on the record is the ballad 'Am I In Love'. It's truly a downer on an otherwise carefree dance album. I've read Kon Kan released other records after this one and were active for many years. They're totally defunkt now and I haven't heard anything other than this one shining example. I remember this music fondly from my childhood and strongly recommend it to fans of 80's New Wave/Dance music. What it lacks in lyrical depth and musical originality, it makes up in groovy beats and simple hooks. You might like it if you try it. My final words: GREAT ZONE OUT.
KON KAN - MOVE TO MOVE
01. Arts' In D Minor/Harry Houdini
02. Bite The Bullet
03. Move To Move
04. I Can't Answer That
05. I Beg Your Pardon (I Never Promised You A Rose Garden)
06. Am I In Love
07. Glue & Fire
08. It Doesn't Matter
09. Puss N' Boots/These Boots (Are Made For Walking)
10. Arts' In D Minor/Harry Houdini (Justin Strauss 12" Remix)
11. I Beg Your Pardon (I Never Promised You A Rose Garden) (12" Remix)
Labels:
Cameo,
Kon Kan,
Led Zepplin,
Lynn Anderson,
Nancy Sinatra,
Silver Connection
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