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Let me tell you something... Finding and owning a copy of this CD is truly a dream come true. For those of you not in the know, The Wildbunch was the original band name of Electric Six! And if you know me, you know I'm into this group like they were a religion.
I ran across this disc on eBay and bought it straight away. I won't tell you how much I paid because it's quite a bit for one used CD. Especially this one. Don't get me wrong, I love this album, but it's not up to the standard you're normally accustom to with E6.
This is a live concert set performed by The Wildbunch back on November 26, 1997 at The Gold Dollar in Detroit according to the insert. What makes this release so interesting is the fact I get to hear one of my favorite bands of all time when they were first starting out. I get to hear the live progression of their sound. I also get to hear a bunch of early songs they didn't use when they changed their name and started releasing as Electric Six. Some of these songs survived but many of them didn't.
Dick Valentine delivers another inspired performance and you can hear him commit to the material just as strongly then as he does today. This is a vocalist who does more than just sing. He adopts a persona and performs not just as a singer, but as a character. His ability to completely transform himself is one of the most amazing qualities an artist can have. He leaves the pretentiousness and pomp of Dick Valentine on the stage when he's not performing and becomes one of the most genuine human beings you'll ever meet. It's inspiring.
There are a few covers included in this set. The first is 'The Model' by Kraftwerk. A most unusual song to find on this record, but one I think is also pretty cool. It's followed a couple tracks later by Alice Cooper's 'Clones (We're All)'. Another great number performed here. The Verve Pipe's 'The Freshman' is performed acoustically by Dick sort of as a joke. Earlier in the set, he tells the crowd if they don't get $100 in merch sales, he's going to perform the song and because they fail to make the target, he does the tune. First off, it's a great cover, Dick does an excellent job, I don't know why it would be so horrible to hear him perform it and seriously, I drop $100 bucks just by myself at the merch table when I see them perform. It should also be mentioned, it's not listed on the tracklist even though it has a dedicated track on the disc. Meaning, the tracklist on the album cover lists 22 songs but there are 23 on the disc. I'm guessing it's because they didn't have the rights for the song. But that's just a wild guess.
Discogs.com lists 'I'm A Demon' as a cover and I had to look it up because it seems like such a perfect E6 title to me. However, it seems it is Roky Erickson's track, 'I'm A Demon' is from his 1986 album, "Gremlins Have Pictures". I listened to his version on Youtube and it's definitely a cover. Darn it. Great tune.
There's a lot of Greatest Hits material here from Electric Six's first record, "Fire" including the international smash hit, 'Gay Bar'. So much to consume and consider. A lot of this material ended up on "Fire" or subsequent albums. Some of the tracks ended up as single b-sides. A few of them show up in demo form on "Sexy Trash" and some of them just sorta disappear into the ether.
This isn't a highly polished live outing. It's a rough and hard explosion of a band cutting its teeth and paying its dues. The songs are super short and there are a couple obvious cuts letting you know without a doubt, you aren't getting the full show. I'm not sure how many songs they actually played that night, but this is amazing for a young band. This is an epic moment in the development and history of one of America's greatest Independent bands. And a true treasure! My final words: ONE OF MY PRIZED MUSICAL POSSESSIONS! EXCELLENT GLIMPSE INTO EARLY ELECTRIC SIX!
THE WILDBUNCH - DON'T BE AFRAID OF THE ROBOT LIVE AT THE GOLD DOLLAR
01. Nuclear War (On The Dance Floor)
02. Speak English
03. Naked Pictures
04. The Model
05. Computer
06. The Ballade Of MC Sucka DJ
07. Clones
08. Immolate Me
09. Taxi To Nowhere
10. Don't Be Afraid Of The Robot
11. Breaking Up
12. I'm On Acid
13. R U Afraid Of The Devil?
14. Meat The Band
15. I Am The Knife
16. I Am Detroit
17. I Lost Control (Solo)
18. The Freshman
19. I'm A Demon
20. Tiny Little Men
21. Take Off Your Clothes
22. Gay Bar
23. I Know Karate
This is an interesting band! A friend of mine recommended I check them out. He knew I'm a huge fan of Dick Valentine and Electric Six. I didn't quite understand why he wanted me to hear this CD as much as he did until I got it. Although not mentioned by name, E6 dynamic frontman, Dick Valentine appears on the track 'I'm A Vampire' as a guest vocalist. Because I tend to be a completist when it comes to bands I like, this record would of course be essential to my Electric Six collection. However, unlike previous albums I've picked up because Valentine makes an appearance, I really like this one.
SG is a band that combines the pop sensibility and sound of 80's new wave genre with innovative lyrics, catchy melodies and a challenging approach to just about everything they stick their hands in. Photos of the band on the back cover and in the CD insert look like a drag version of glamour shots. But instead of evoking a cringeworthy response, it comes across colorful and expressive. Part of what made the 80's so interesting was the fantastic ways people would dress and wear their hair. Like many of their glam rock compatriots, SG use costumes and make-up to create an image that's youthful, fun and brimming with gender bending sexuality.
I've actually got a few songs I really love on this disc. The first one to end up on repeat for me was '19th & Lexington'. I'm absolutely curious about the origin of this track and what inspired it. There's a story behind that tune and I wanna hear it. The second song I've completely flipped for is 'The Collection'. This is one that might end up on a playlist I post online. I love the "Roll call role play" chant in the song. It's super catchy, tongue twisting and intentionally complicated.
'The Apple Falls' is another track I'm utterly enchanted with. I love the line, "...circle fruit undo my made up world..." One of the things I find myself really loving about this group is the lyrical content and the way they arrange the vocals. It's unique! 'Socially Activist' is another blasting track with an amazing vocal performance.
There's the electronic element throughout the album, but there's also a strong California rock sound as well. At time's I hear The Red Hot Chili Peppers and on 'Now Unthinkable' I hear some drumming that reminds me of the drummers Prince used towards the end of his career in the New Power Generation. That's some serious funk chops they're laying down.
One of the most rewarding aspects of this blog is when I find a new up and coming band I think is doing something different and interesting. Shitting Glitter fits that description and I see them as a vital musical force with the potential to start a new musical movement in California and beyond. Their amalgamation of musical styles and queer culture make them a force to be reckoned with. If they survive their time in obscurity as a new artist trying to crossover, I predict they'll end up fronting a whole generation of new bands ready to push the boundaries of conventional thinking. If you want this record, click HERE to contact the band on Facebook and order it directly from them. My final words: JUST WHEN YOU THOUGHT IT WAS SAFE TO GO BACK IN THE 80'S... SHITTING GLITTER ERUPTS LIKE A DIAMOND PIMPLE ALL OVER YOUR DISCO MIRRORS! BUY THIS RECORD!
SHITTING GLITTER - OPEN FOR BUSINESS
01. Legalese
02. 19th & Lexington
03. Milk Money
04. Idiot Light
05. The Collection
06. Hopeless Romantic
07. The Apple Falls
08. I'm A Vampire
09. Socially Activist
10. The Red State
11. Now Unthinkable
12. Treasure Good Things
For those of you who don't know... Dick Valentine is the lead singer of both Evil Cowards and Electric Six. He's released a series of solo records that usually consist of acoustic songs. His new album is no exception. However, it is slightly different in that the songs are all covers of material previously recorded and released by Evil Cowards and Electric Six.
I was excited about this release and even more pleased with it once I received it and was able to hear it. I spent an entire morning driving around in my truck listening to it. I was blown away!
No matter what the band or how much you love them, there are always certain songs you like more than others. Oddly enough, this compilation has some of my all time favorite Evil Cowards and Electric Six tracks represented. Right off the bat, Valentine starts with 'I Buy The Drugs'... This song was the absolute jam the first time I heard it and I've enjoyed it immensely over the years. I never get tired of hearing it. Both 'Steal Your Bones' and 'Alone With Your Body' are present at the start of this disc and both songs were my favorite tracks on their respective albums. 'Steal Your Bones' is from "Kill" and 'Alone With Your Body' is from "Human Zoo". One song about cloning and one about necrophilia... Once again, Valentine challenges our preconceptions about taboo subjects and turns even the most grimacing perversions into humorous anecdotes. If necrophilia ever becomes a socially acceptable form of sexual expression, we'll know who to blame.
The track I was most anticipating is number 8. 'When I Get To The Green Building' is easily one of my all time favorite E6 songs to date. I absolutely adore this song. In some ways I see it as a classic rock opus... One of those early rock ballads from the 70s where you would get more than just a cool song, you'd get a supernatural story; like the Eagles' 'Hotel California' or Led Zeppelin's 'Stairway To Heaven'. To me, this is one of the strongest songs Valentine has ever committed to tape and I'm thrilled to have it appear here in this acoustic format. It's as magnificent here as it is on the album. It's followed by another song in this vein called 'Watching Evil Empires Fall Apart' and it's an epic as well.
There are two Evil Cowards' covers here. 'Sex Wars' from "Covered In Gas" and 'Rich Kids' is from "Moving Through Security". Coincidently, 'Rich Kids' is my favorite track from "Moving Through Security". So once again, he's picked more of my favs to re-invent and express here.
There are a couple songs on here I consider sleeper tracks. In other words, I didn't like them the first time I heard them but as I listened to the album a few times, they grew on me and have become favorites. These songs include 'The Band In Hell', 'Pink Flamingos' and 'Iron Dragon'. There's even newer songs appearing on this compilation such as 'Roulette' and 'Take Another Shape'. Both of these tracks are from Electric Six's last record.
Dick Valentine is an interesting character. He's prolific. Maybe not as prolific as Prince, but he writes a lot. And his lyrics are written off by a lot of people, but those who take the time to invest in his work discover a song writer who is insightful, concerned, relevant and deeply poetic. He's an under-rated talent.
What more do I have to say to encourage you to take a chance and buy this awesome record??? You need it. Right now you can order the CD directly from Valentine through his Facebook page. Otherwise, you will have to attend a live E6 show to purchase one.
If you don't know anything about Dick Valentine, this is a good starting point. Pick up this record and if you like it, prepare yourself for even more to come as you explore the worlds of his various projects and bands.
My final words: ACOUSTIC MASTERPIECE FROM A MASTER ARTIST!!!
01. I Buy The Drugs
02. Wikileaks
03. Steal Your Bones
04. Alone With Your Body
05. Show Me What Your Lights Mean
06. Sex Wars
07. Take Another Shape
08. When I Get To The Green Building
09. Watching Evil Empires Fall Apart
10. Rich Kids
11. The Band In Hell
12. Doom And Gloom And Doom And Gloom
13. Pink Flamingos
14. Roulette
15. Heartbeats And Brainwaves
16. Iron Dragon
So what do I know about Troy Gregory? Absolutely nothing. However, I've known about this CD for a few years now and I finally decided to bite the bullet and buy it. My reason for buying this disc is because I keep finding it on Electric Six discographies. Apparently, E6 collaborated with Gregory on a track called 'Dealin' In Death N' Stealin' In The Name Of The Lord'. I was excited to hear the track. I found it on eBay for a decent price and so I picked it up.
I was disappointed when I got the disc and found out none of the members of Electric Six actually receive a writing credit for the song. They play all the instruments and Dick Valentine sings background. So far that's all I can ascertain. And just as a side note... E6 did this while they were still The Wildbunch.
Oddly enough, this disc is 13 tracks of Gregory working with a bunch of different bands, most of which I've never heard of before. I knew The Volebeats and I'd heard of Bantam Rooster, but everyone else on this record is completely unknown to me. With strange names like Outrageous Cherry, The Sights, Slumber Party and They Come In Threes.
Now, to be fair, I haven't lived with this disc for very long so I'm giving you my initial reaction to it. All of the songs range between two and four minutes with none of them actually breaking the four minute mark. They're short and remind me heavily of the Paisley Underground movement back in the 80's. Gregory's music blends the psychedelic rock of the 60's with punk and rock influences of the 80's. It's a trippy album.
So far, my favorite track on the album is actually 'Leave The Ghost At Home. There are other great songs on the record, but it's not surprising it didn't fare better. The disc lacks the pop hooks and melodies of a record with mass appeal. It lingers in psychedelic weirdness for much of its length. Songs like 'Down 2 The Last Santa Claus' and 'Freezing Rain Freezin'' sound experimental and disjointed; while tracks like 'We Werk The Lines In Yer Hand' sound more like advertising for a national chain of palm readers.
This is a rather strange piece of music, but there are moments of absolute brilliance and charm. I get a little frustrated with the broken record routine and Gregory falls victim to it on this album quite a bit. When I say "Broken Record Routine" I refer to a song where lines are repeated over and over. The Cranberries were notorious for it in the 90's. It almost drove me insane. Sometimes, I still can't listen to them for this reason. Gregory certainly has a vivid imagination and should've been capable of coming up with additional lyrics rather than setting the song on repeat. But he doesn't. And although I don't like it, I'm sure some people do.
It's not what I was expecting or hoping for. But it does have its appeal and charm. I'll need to live with it for a bit longer before I decide if I actually love it or hate it, but for now, I'm somewhere in the middle and that's fine. It hasn't convinced me to become a huge Gregory fan, so that's a strike. But you never know.
My final words: A STRANGE BIT OF MUSIC TO INVESTIGATE.
TROY GREGORY - SYBIL
01. Lice Cats N' Rabies Shots
02. Leave The Ghost At Home
03. Rat Squad
04. Regrets...I've Had A Few
05. Left My Mind Alone
06. Other Dimensions Will Reveal Themselves 2 B True 2 U
07. Dealin' In Death N' Stealin' In The Name Of The Lord
08. It Ain't Human
09. Down 2 The Last Santa Claus
10. Electric Fool
11. Born In A Haunted Barn
12. We Werk The Lines In Yer Hand
13. Freezing Rain Freezin'
Another awesome Kickstarter exclusive from E6 and frontman, Dick Valentine! This time, the band deliver a soundtrack to a mocumentary film they made called, "Roulette Stars Of Metro Detroit". The two disc set also includes a new Dick Valentine CD entitled "Raw". But more on that in a minute.
The E6 disc is actually quite amazing! It's made up of a selection of tracks. There's new original material, some covers and a remix. Together, it's a rather satisfying listen and one I'm currently enjoying on a regular basis. The covers are interesting choices. The first one, 'All Night Long' is from a band called Rainbow. They're made up from former members of Blue Oyster Cult. I think the track was originally released in 1979 but I'm not sure. I didn't know this one at all prior to it showing up here. I had to research it online. The first time I listened to it, I thought, "Holy smokes, they're turning into an 80's hair band!" but the song is so rocking and fun it's become one of my favorite on the disc. The second cover is 'Obsession' by 80's one hit wonder band, Animotion. I actually remember buying their cassette when the song first came out and hating the rest of the tracks. 'Obsession' was the only track worth owning and I never upgraded that cassette to CD. The third and final cover is Oingo Boingo's 'When The Lights Go Out'. Danny Elfman is an amazing songwriter and his quirky song writing style translates well into E'sixian. It's excellent!
The mix on the disc is the Dubai Bros. remix of 'Night Vision'. The first time I heard it, I thought it was weird and I wasn't sure if I liked it. However, on subsequent listens, it's become one of the tracks I love the most. In fact, I play it all the time in my truck while I'm driving. It's such an odd remix and yet it feels completely right! It's actually made me excited to listen to mixes again. I've sorta got to the point where I think they're not worth my time. As much as I like the original 'Night Vision', I like this one just as much if not more. It adds so much dimension to the song. Wow.
As for the new original material, holy smokes! I love 'An Omen Of Things To Come', 'I Upgraded To You' and 'Shrink The Bastards'. They're simply phenomenal and yet another reason I've become such a hardcore fan of this band.
The second disc, the Dick Valentine album, isn't a disc full of new songs like his other previous efforts, but rather an outtake disc of sorts. Don't get me wrong, you hear demos of songs that haven't been released, but the majority of the tracks are music demos for tracks that were released. He includes his rough musical ideas for tracks he wrote for both Electric Six and Evil Cowards. The majority of the tracks are instrumental or the musical blueprints of the songs, but what makes the disc so fascinating is you actually get an idea of how the songwriting process works for him. It's interesting to hear these rough versions compared to the produced and polished released tracks. I'm highly pleased with the amount of material included on these discs and I'm enjoying the discs equally!
This set was a kickstarter exclusive. If you didn't buy it through the original campaign, I'm not sure you'll get another chance to own it. It's certainly worth having and for those of you who didn't, you're missing out. My final words: ANOTHER VICTORY FOR THE ROULETTE STARS OF METRO DETROIT!!!! THEY WIN ALL THE MONIES!
ELECTRIC SIX/DICK VALENTINE - ROULETTE STARS OF METRO DETROIT/RAW
DISC ONE - Original Soundtrack
01. Compensation
02. All Night Long
03. An Omen Of Things To Come
04. Obsession
05. Night Vision (Dubai Bros. Remix)
06. I Upgraded To You
07. Shrink The Bastards
08. Lottery Reptiles (Tropicalia Mix)
09. When The Lights Goes Out
DISC TWO - Raw
01. Classon Av. Robots
02. Digital Jackass
03. Hello! I See You
04. I Belong In A Factory
05. I Can Translate
06. I'm Not Scared Of Flying Saucers
07. Laughing Gas
08. Making Progress
09. Miami
10. Rubbing Me The Wrong Way
11. Suitcases
12. Synth 2
13. Theme From Garage Band (Test 1)
14. Tonight Should Have Never Been Tonight (Test 3)
15. Waste Of Time And Money
16. Zora And Nora
Usually when I get a new CD I spend some time with it before I write a review. I let the music kinda permeate and soak in before I attempt to share an opinion of it. But I'm not gonna be able to do that with this album. I've been waiting for it for almost a year and when I picked it out of my mailbox this afternoon, I just about lost it. I dumped it straight into my truck and hit the road. Had to drive to experience this amazing double disc release... And let me tell you, it really is AMAZING!!!!
For those of you who aren't familiar with Electric Six, do a search of my blog and you can read reviews of other albums the band has released. As for this beauty... It was the result of a Kickstarter campaign and you could only get the disc if you participated. For those of you who didn't, you're kinda outta luck. The band won't print anymore copies and they won't sell them online, in stores or at shows. This was your one and only chance. I guess copies might show up on eBay or other sites, but I'm guessing they'll run you a pretty penny by the time they show up.
Anyway, for those of you who didn't get it, here's what you're missing... There are two discs: Mimicry (comprised of covers the band recorded); and Memories (a selection of demos, outtakes, unused tracks, single tracks and anything the band wanted to put out there).
The first track on the Mimicry disc is 'I Got The Six'. Written by Billy Gibbons, Dusty Hill and Frank Beard, this track is from ZZ Top's 1983 "Eliminator" album. This is a great song to start the album off with. E6 doesn't pull any punches on this one, but they also don't do anything strange or unusual. This is a very straightforward rockin' version of the original track. The biggest difference is the inclusion of keyboards on E6's version. I also think E6's version is more substantial. There's a bigger feel to it and it's more satisfying. Although ZZ Top really rock this number, all recordings of the song I've heard sound thin and old. The fuller production and larger sound make this a track ZZ Top should reconsider updating. It still packs an enormous punch.
The second track is 'Easy Lover'. This chart topping hit is a duet between Philip Bailey and Phil Collins. The two share writing credits along with Nathan East. It's taken from Bailey's 1984 album, "Chinese Wall" and I very much doubt there's a single person who lived in the 80's that wasn't aware of this song. I was never a huge fan of it back then and I was a bit suspicious when it turned up here. But Dick Valentine and crew deftly turn it out in E6 style and make it a song that could easily be a standard for them. Although it's better not to be known for covers. It's followed by a song I've never heard before. A little research shows the track was written by Donnie Iris and Mark Avsec. It was originally released on Donnie Iris And The Cruisers' 1992 album "Out Of The Blue". I listened to the original and it sounds familiar. It reminds me of something I might have heard back in the early 80's. Maybe even some early Cars. But it's a bit strange and goofy. E6 take the camp out and deliver an anthem rock version. Once again, it stays true to the original, but Valentine is more convincing singing this song than Donnie Iris. Giorgio Moroder and David Bowie teamed up on the next number, 'Cat People (Putting Out Fire)'. This creepy track is taken from the soundtrack to a 1982 film I never saw. And haven't even heard about. I checked out the original version and I have to say... Yikes. It was around this time Bowie was transitioning to 80's pop icon with his hit record, "Let's Dance". But this precursor is a bit on the "ummmmmm, what???" side. This is the first track E6 offer us a drastically different version than the original. And it rocks! It is vastly superior and a great example of how a song can be great with a different arrangement.
'Do You Love Me?' is from Kiss' 1976 album, "Destroyer". Written by Paul Stanley, Kim Fowley and Bob Ezrin; this was a dynamic song that sounds a bit dated. Much like ZZ Top's 'I Got The Six'. E6 restore it to stadium rock status with this exuberant cover. So far, I think all of the covers have been just as good as or better than the originals. Michael Melchiondo Jr, and Aaron Freeman are credited with writing 'Buckingham Green' from Ween's 1997 album, "The Mollusk". I always thought this song was a bit thin, but grandiose. In this case, I'm not sure which version is superior, but Valentine delivers a creepy vocal performance worthy of the creepiness of the song and the production value on E6's version is far superior to Ween's.
Next up is a track E6 played last year on tour. It was an encore number and supporting act, Yip Deceiver would join on vocals. Taken from 1987's "Tango In The Night", 'Everywhere' is Christine McVie's contribution to Fleetwood Mac's record and although I've excitedly waited for this song more than any other, I'm not as thrilled with it as I wanted to be. And here's why... Musically, it stays true to the Fleetwood Mac version and that's great! It's an amazing song you probably shouldn't mess with. Tait's keyboards are spot on. But, this studio recording was done with Yip Deceiver and the shared vocals don't really cut it here. I love both bands and I hate saying this. But I'd much rather hear Valentine on all verses. His deeper tone somehow suits the song far better than Yip Deceiver's higher sound. Still, the music is flawless. Written by Per Gessle, 'The Look' is taken from Roxette's breakthrough 1988 record, "Look Sharp!" I didn't mind this Swedish duo, but I didn't like them either. Most of my friends picked up this record but I skipped it. I really thought they were a copy cat band. Of all the tracks on this first disc, this is the one I think is completely out of place. It just doesn't fit in here. It's hard to judge covers of songs that were released as singles and were successful for their original artists. It's more exciting to find an obscure song from a group and breathe new life into it. E6 tackle some big hits here and this one is probably the only one I feel like they fail on. There's no way you can convert this piece of pop fluff into a song you'd want to hear Dick Valentine sing. I'm disappointed to say it, but waste of a track. I would've picked something more funk or R&B oriented for this number. Valentine has proven he's got the chops for some heavy funk. Much better direction.
'Girls Want To Be With The Girls' kicks in and I think to myself, "That's a right jaunty jig!" This David Byrne composition appears on Talking Heads 1978 album, "More Songs About Buildings And Food". The Talking Heads are one of the bands who defined New Wave sound in the 80's. The art-centric lyrics and descriptions David Byrne litters his songs with was copied by many acts following behind and the genius of his work is given new life in this fun and full version. I love what E6 has done here and I can't praise this number enough. Pure brilliance. In 1988, Weird Al Yankovic released his record, "Even Worse" and the second track was an original tune he wrote called, 'Stuck In A Closet With Vanna White'. To his credit, Yankovic treats this campy number as seriously as he can. He tries to deliver a serious vocal, but it gets washed away in the 70's piano stylings and bland music production. E6 keep the slamming keys, but they filter them through a wall of screaming guitar! After years of singing songs dealing with suspect subject matter, Valentine gives us the energetic rock vocal Yankovic always intended for this song. It doesn't feel stuck in a foregone decade... It reaches out, grabs you by the balls and drags you screaming into the closet right next to Dick and Vanna. Whew! You could blow a gasket here.
Tomas Ford's 2014 album, "An audience with Tomas Form" is an interesting piece of music. I haven't heard the whole thing, but I sampled it on Amazon. E6's cover of 'Rockets' starts out sounding like a theme from a 1950's suspense film. It gradually moves into a more sinister rendition. Compared to the original minimalist version, E6 once again fill a rather empty room with strong and sparkling sound. Easily the better version, I quite love this song and I'd be interested in hearing a collaboration between E6 and Ford in the future. The last track on this first disc is the Mike Reno, Paul Dean penned track, 'Turn Me Loose' from Loverboy's 1980 self-titled album. I remember the song and I remember Loverboy. For whatever reason, I remember thinking Loverboy wanted to take over where Queen left off. The lead singer hits some powerful, high notes. I always like the fact Loverboy included keyboards in their band make up and so prominently in their arranging; but they were too much of a hair band for my taste. E6 takes this wimpy 80's scrapped gel rock number and provides it with a deep and urgent feel Loverboy would kill to achieve!
So I'm very positive and happy with everything I heard on the first disc barring 'The Look', now let's talk about the Memories disc. This one has more songs, but they're shorter. This disc is the follow-up to "Sexy Trash". Another album of demos, outtakes, rarities and more. I'll go through this one more quickly. The opening track is the 'Exterminate Tour Intro'. I didn't see that tour, but this intro makes me wish I had. It's an interesting blend of various tracks. I'm assuming the band actually came in right as the track ends with a whomp! Next up, is 'Dance Epidemic (XFM Session)'. XFM is a radio station in the UK and bands often go on and play live songs. This is a track the band played on that show. No. #3 is 'Typical Sagittarius'. This is a song that didn't make the final cut for "Zodiac". I love it! At one point, the band made the song free to download. You could've picked it up then, but it's wonderful to have it on a CD. 'The Sheik Don't Lie' is a frenzied number. There's no information on where this song actually comes from, but it's an interesting number and cool to hear. 'Taxi 2 Nowhere (Demo)' is an alternate version of the one that was released. It's basically a different vocal take. The released version of that song always sounded like a demo anyway. 'Shortlove' is up next and this is another song with no information. I love this song! The guitar is fantastic and the drum machine is pretty cool here too. The subject matter reminds me of a song that's similar but sounds nothing like it... George Michael's 'Fastlove'.
The next track is 'Night Vision (Demo)'. It's an acoustic demo and it's stripped down to the bare essentials. Valentine's voice is still stunning and compelling on this track. There's a frenzy to the strumming that was later filled in with the drum track. I love this demo! I actually like this version of the song almost as much as I like the released track. Taken from the 1968 album, "Aerial Ballet", Harry Nilsson's 'One' is next. This track was originally intended for the Mimicry disc. Why it shows up here isn't explained. But let me say... The original of this song is very sad and soft. Three Dog Night had a hit covering it, but they didn't do anything quite like what E6 achieve here. They take a sad and depressing song and turn it into a rockin' jam! So much better! Absolute excellence!
'I Don't Speak French (Demo)' is kinda exciting to see here as the released version of the track is actually from Dick Valentine's solo effort "Destroy The Children". Very cool to hear a demo of this song. Love, love, love it. 'I Can Translate' was a bonus download track for "Zodiac". I think the group also put this one up for a free download but I could be wrong. I downloaded this song somewhere and I really like it. Initially I felt uneasy listening to it because the guitar is quite piercing when you play the song loud, but there's so many great elements to the song it's easy to see past it. The main keyboard line is borrowed from another song, but I'm not quite putting my finger on which one. 'My Struggle With Heroin' is another song we don't know much about. It's got a demo quality to it, but it's still a fun track. This song reminds me of Prince's "Dirty Mind" era. It's got that raw sound and feel. 'Free Samples (Demo)' is a more acoustic rock version of the released track. Still, this was one of the songs I really loved on "Heartbeats And Brainwaves" so there's nothing bad about hearing this alternate version. I still love it!
'Badass' is another song without any information. It's quite rockin'. It does feature a drum machine pattern playing under the guitar. Percussion World's playing would certainly fill this song out and make it richer. It's still got some potential and I'd love to hear a finished version. 'Gay Bar (Live At Manumission Ibiza 2004)' was actually released on one of the UK singles for 'Radio Ga Ga'. It's still nice to have it here for those who weren't able to get copies of the single. Holly Knight and Nick Gilder wrote 'The Warrior' from Scandal Featuring Patti Smyth's 1984 album, "Warrior". This would be another cover I expected to be on the first disc, but here it is. This was a big hit for the band and although I really love E6, I have to give props to the original on this one. Their cover is passable, but it doesn't equal the intensity the original inspires.
'Dancing Like An Idiot' is a Dick Valentine demo. It's from the Wildbunch days but this demo makes me think he re-purposed it for another project. Possibly for one of his solo records. The recording sounds newer with much better production. 'Technical Difficulties' is basically Valentine playing with a song idea while tuning or sound checking his guitar. It's quite humorous and interesting to hear him in an unguarded moment like this. A rare treat. 'Slices Of You (Demo)' is an interesting demo. Once again, you get a fun drum machine track playing underneath a scorching guitar. Another song I adore and it's terrific fun to hear this demo version. The funk guitar part in the middle is absolutely worth the listen.
'Turn It Up (Demo)' is an early version of 'I Wish This Song Was Louder'. There's another demo on "Sexy Trash" with the same title, but I haven't listened to them back to back to see if their are similarities. 'Strike While The Iron Is Hot (Demo)' is another song that appears on "Sexy Trash". This version is a little different. Another one I'll have to listen to back to back and see what the differences are. According to their Kickstarter update page, 'Ziggy' was a song they wrote especially for the "Absolute Treasure/Pleasure" project. But it was never released. It's exciting to see it here. This song would've fit in nicely on "Zodiac". And I can tell it wasn't completely finished. Live, I bet this number would've rocked the joint! It's a strange track and I suspect it's based on David Bowie's character Ziggy Stardust. I need to listen to it a few more times before I'm sure.
The next three tracks were all songs written for but not included on the last album, "Human Zoo". 'Fucking In Another Man's Clothes' is totally brilliant and I can honestly say, leaving this one off the album was a huge mistake! It's incredible and would've fit in nicely with the flavor of "HZ". 'Suitcases' starts off sounding like a strange dusty lounge act playing in a dirty bar in Mexico. But the odd groove and lyrics are oddly intoxicating. There's a vivid story happening here. Another song I need to listen to a few times. 'Wikileaks' is the final "Human Zoo" leftover. This song combines the acoustic and the electric quite seamlessly and it's another track I would've enjoyed greatly on the album. I find it incredibly sad so many good songs get set aside when a band is recording an album. These outtakes are strong and well written. I'm not sure why they decided not to use them.
The last two tracks I'm including in this review are two you actually get as a bonus download. 'White Eyes (October 2008 Demo)' was announced as part of the Memories disc but then left off. It's basically just an instrumental of the album track. Same for 'Bleed For The Artist (December 2009 Demo)'. I think the band decided they didn't add much to the Memories disc so they left them off. But because they'd initially announced they would be included, they threw them to you as a bonus.
After a long wait, I finally got my new music and I can honestly tell you, I'm very happy with what I've received. E6 is one group who believes in putting value in their releases. This really was an effort to give something back to their fans and I must say, they succeeded! My final words for this already long, long review: GOLD STARS ON EACH BAND MEMBERS' FOREHEAD!!!! IT MAY NOT BE #1 ON THE BILLBOARD CHARTS, BUT IT'S #1 IN MY PLAYER FOR A LONG TIME TO COME!! I CAN'T BELIEVE YOU MISSED THIS ONE...
ELECTRIC SIX - MIMICRY AND MEMORIES
MIMICRY DISC 1
01. I Got The Six
02. Easy Lover
03. Ah! Leah!
04. Cat People
05. Do You Love Me?
06. Buckingham Green
07. Everywhere
08. The Look
09. Girls Want To Be With The Girls
10. Stuck In A Closet With Vanna White
11. Rockets
12. Turn Me Loose
MEMORIES DISC 2
01. Exterminate Tour Intro
02. Dance Epidemic (XFM Session)
03. Typical Sagittarius
04. The Sheik Don't Lie
05. Taxi 2 Nowhere (Demo)
06. Shortlove
07. Night Vision (Demo)
08. One
09. I Don't Speak French (Demo)
10. I Can Translate
11. My Struggle With Heroin
12. Free Samples (Demo)
13. Badass
14. Gay Bar (Live At Manumission Ibiza 2004)
15. The Warrior
16. Dancing Like An Idiot
17. Technical Difficulties
18. Slices Of You (Demo)
19. Turn It Up (Demo)
20. Strike While The Iron Is Hot (Demo)
21. Ziggy
22. Fucking In Another Man's Clothes
23. Suitcases
24. Wikileaks
25. White Eyes (October 2008 Demo) (Digital Download)
26. Bleed For The Artist (December 2009 Demo) (Digital Download)
"Moving Through Security" is the second album from Evil Cowards and it continues the tongue-n-cheek humor from the previous release. Without a doubt, Evil Cowards are one of the most interesting projects on the market today. When I got the first album I couldn't stop playing it for days. In fact, I got so used to hearing it while I was playing a new game of Mahjong I'd downloaded, I can't play the game today without starting the disc up. This one spent almost as much time in my player after I was fortunate enough to pick it up.
It starts off with 'Fixing Machines' which features the lyric, "If there's only one sure thing that I know, some day the world's gonna bow before this two man show." In the vein of 'Theme From Evil Cowards', the idea of the group having a major cultural impact continues. As much as I wish this sentiment were true, it probably won't happen. Mainstream America takes itself way too seriously for a group like Evil Cowards to rise to the top of the charts. In a system built around record companies and media conglomerates who still control what people watch and listen to, this duo doesn't stand a chance of breaking out without conforming and that, my friends is something none of us want. It's a catchy number and it sets up the mood of the record quite nicely. It's followed by 'Dirty Consuela', a tune with a more pop sensible beat and build. It's a great song musically, but the lyrics are about a barely legal girl prostitute. I find it a little creepy, but my biggest complaint is the sax solo in the middle of the song. I've never understood why electronic bands sometimes do this. It's an 80's gimmick and it doesn't work now like it didn't work then. The song would be much more interesting without it. 'System Overload' is next and this tune has some interesting sounds. It includes a pulsing synth line similar to the previous track. If I understand the plot of the tune, it starts with a dude planning on committing suicide. He stops at the last minute when he realizes he can fix his problems not by killing himself, but killing his lover. Lol, a strange but interesting idea. And very thought provoking.
'Moving Through Security' continues with another pulsating synth. There's a lot happening in this song. Lead singer, Tyler Spencer (AKA, Dick Valentine) covers a lot of concepts here and I'm not going to break them all down but one thing I will point out happens in the first verse where he talks about seeing what's in his bag. On social media, he mentions his fans reaching into his bag and buying his merchandise. This tune discusses getting his merch through security. Among other things. It's quite funny. 'Bedford Avenue Wine Distributors' is an amazing cut. It features the repetitive lyric, "Black drug dealers vs. white drug dealers" and that the extent of the song. Absolutely brilliant.
The next track is 'Jerkin' Each Other Around'. The gist of the song is no matter what you've been taught about love and happy endings, it's never that simple. Everyone goes through heart break. But no one ever tells you that's going to happen. 'Optical Day' has a fun beat and is easy to sing along with. This is one of the tracks I tune the volume up on and roll down the windows. I sing this one at the top of my lungs. One of my favorite numbers on the disc. 'Dormitory Girls' lists Gina Gershon as additional vocalist. I don't know if it's actress Gina Gershon but I love her and if it is, I'm in pure heaven. I love this song. The subject matter is a bit ridiculous... I'll never understand songs about young girls. It's a bit repulsive and lecherous, but I do love the music and the lyrics are catchy.
Next up is 'Rich Kids', my absolute favorite track on the disc. And don't ask me why. I find it absolutely hilarious and the music is fantastic! 'Gravy Train' is also exciting and fun to listen to. It uses food as a metaphor for a long term relationship. One that was delicious when it was new but over time has lost its flavor. 'Military Man' has a compelling beat and describes a military man in various ways. Of all the tracks on this album, this one seems the most nonsensical, but it's got such great music, it's easy to overlook the lyrics. 'Lazy As Fuck' is like a slap in the face or the water bucket challenge. It's one of those uncomfortable truths so many people deny and run away from. In this number, Evil Cowards take the idea of failure and people who don't live up to their potential and shine a giant spotlight on it. Maybe it's not the world keeping you down, maybe it's you and the fact you're lazy! Depending on where you stand in life, this song will either seem uncomfortable or honest. Either way, it's a subject I've never seen tackled in music before and I give a huge high five to EC for covering it.
The final track on this record is also the most complicated and strange. It's also one of the most incredible pieces of music I've heard in a long time. The song suggests the seduction of young men into a homosexual life by someone referred to as the Purple Man. It's not the first time Evil Cowards have tackled the subject of gay lifestyles, but it's the first time they've tackled gay men. Their previous foray into the subject revolved around a lesbian couple. However... I see this song a little differently. 'Summer Of The Purple Man'... When I listen to this song, this is what I hear; it's a nostalgic look at the summer these musicians were seduced into loving and discovering music. The year in question is 1984 and the "Purple Man" is Prince. When he burst on the scene, parents had no concept of what was happening. He was a threat because unlike Michael Jackson, he wasn't the family friendly black guy showing up on America's television screens. He was blatantly effeminate, sexually explicit and one of the first commercially successful black artists on the top 40 charts. Older generations didn't know what to make of him at all. The back lash against "Purple Rain" was extreme. And yet, his impact on young people and the desire to make music is legendary. You could literally write a novel on the fears Christian parents had and the things they would blame him for over the years... Their children being gay, young people being sexually active, etc. etc. But like a ruffled Pied Piper, he trounced across stages all over the US and filled his "bag" with young boys and girls; seducing them with his music. It really was a summer of a purple man. There's no mistaking the early 80's drum pattern. The only argument you can make against it is the mention of 1991 being the year it happened. But that was a big year for Prince and he was credited as having a huge comeback during that time with "Diamonds And Pearls". He was still considered the Purple One. I think 1991 is used to throw the listener off track and also keep the song in a safe zone. In 1984, Spencer would've been 13 and the song would've been super creepy with the double entendre.
However you choose to see it, this is a complex song with complex ideas. And that's one of the things Evil Cowards does best. This is an extremely satisfying follow-up to their previous record and all it does is whet the appetite for more. Here's hoping Evil Cowards continue to collaborate and release. I'll be in line to purchase new material. My final words: AN EXCELLENT FOLLOW-UP AND SATISFYING RELEASE! BUY IT IF YOU CAN GET IT. AN AMAZING ADDITION TO ANY COLLECTION.
EVIL COWARDS - MOVING THROUGH SECURITY
01. Fixing Machines
02. Dirty Consuela
03. System Overload
04. Moving Through Security
05. Bedford Avenue Wine Distributors
06. Jerkin' Each Other Around
07. Optical Day
08. Dormitory Girls
09. Rich Kids
10. Gravy Train
11. Military Man
12. Lazy As Fuck
13. Summer Of The Purple Man
By the time "Flashy" came out, the deed was done. I was hooked. Like a junkie trying to score my next fix, I hunted down this disc and listened anxiously for the intergalactic journey to begin. And although I was preparing for the cosmic, this one hit closer to home. In fact, it was like gently landing after experiencing the most mind blowing trip you've ever had.
And I realize, with those words, you start to expect a tamer, more subdued Dick Valentine. Or a less than stellar rock effort by the dukes of disco funk rock.
But that's not at all what you get.
Instead, you get slight of hand and misdirection... E6 tells you to look over here and rock out, but in the meantime, they're espousing complex ideas about love, relationships and priorities.
Right from the start, 'Gay Bar Part Two' informs you this is not the type of party you stay at all night. This is one you listen to and reflect on. There's a message here for those willing to seek it. 'Formula 409' seems almost like a conflict of interest after that. It's a pop rocker that gets the blood pressure going and seems to be more of a filler piece they're trying to get out of the way. I love the track. In fact, by itself, it's one of my fav numbers. But I'm not sure I like it here.
'We Were Witchy Witchy White Women' is an incredible tune. Not just because it seems to have it's own momentum, but because of the ideas Dick flirts with here. He considers the depth of love if you were reborn. Could you find the same love? His tells the story from the point of view of a lesbian who practices witchcraft and her relationship with another woman. It's a complex thing for someone to consider angles like that. But Dick Valentine has never been orthodox in his contemplation of the human heart.
And right from the contemplation of being gay for the right woman, he hits us with 'Dirty Ball'... A song that champions casual and lusty sex as therapy. The metaphors abound and the rhythm is thumping. All in all, an excellent track. To me, 'Lovers Beware' is more than just a song about two people not getting what they want from each other, it's about the dangers of expectation. It also sheds light on an interesting phenomenon... People who hate happy couples and try to break them up.
'Your Heat Is Rising' is a song about desire and corruption. But I also hear a cautionary tale of vulnerability and how that can so easily be manipulated. 'Face Cuts' is a strangely sad song about how even love can be enslaved by superficial standards. The deadened vocal delivery all blend to create a love that must bow to the whim of social trends. Although it's a serious song, it is rich with irony. 'Heavy Woman' tells the story of a woman who, because of some childhood trauma, used weight to hold the world at bay. She uses her weight to keep love out. He doesn't specifically say this in the song, but that's the impression I have of it. Genius.
'Flashy Man' seems to go hand in hand with 'Heavy Woman'. Both tell of individuals who use aspects of themselves to keep other people at arm's length. No one will ever get close. But there's nothing wrong with loving a Flashy Man... 'Watching Evil Empires Fall Apart' is the true love song of the album because it's a tale of someone who did surrender to love. A man who gave up the conquered world for love. And it's beautiful. 'Graphic Designer' is a complicated tune. I'm not sure how it fits here, but it's frantic, pile driving and extremely exciting. 'Transatlantic Flight' is an interesting tale of two people who share a moment in passing. Just enough to make them both wonder, "What if..."... And then they both die in the same plane crash. In my opinion, this was the perfect track to end the album with. It's somehow fitting. But 'Making Progress' is also a great way to end the disc. It's the moral of the story. The "point" if you will. All of these songs take a look at somewhat specific and yet oddly familiar situations or points of view we see every day in the modern world. It's true our society influences the way we relate to each other romantically. From choosing appearance over emotional commitment ('Face Cuts'), to the fleeting momentary glance we might share with someone we never see again ('Transatlantic Flight')... Socially, we're making progress, but it's made love more difficult and challenging then it's ever been.
I've read other reviews of E6 albums and it seems critics are quick to write them off lyrically as being simple, superficial or shallow... But I find them extremely nuanced and complex. I love a band that can make you think, learn more about yourself and get you off your butt to dance around all at the same time. Electric Six is indeed that band and "Flashy" is another brilliant example of how they can do just about anything. My final words: IT'S LIKE GOD HIMSELF APPEARING RIGHT IN FRONT OF YOU AND SAYING, "YOU WERE RIGHT TO BELIEVE IN ME THE WHOLE TIME." HERE'S THE PROOF... BUY IT UP!
ELECTRIC SIX - FLASHY
01. Gay Bar Part Two
02. Formula 409
03. We Were Witchy Witchy White Women
04. Dirty Ball
05. Lovers Beware
06. Your Heat Is Rising
07. Face Cuts
08. Heavy Woman
09. Flashy Man
10. Watching Evil Empires Fall Apart
11. Graphic Designer
12. Transatlantic Flight
13. Making Progress
The first time I saw Electric Six play live, it was in support of this CD. I bought the disc at the show and I listened to it for the first time driving home from the show. They played some of the songs live that night and they were new tracks for me. I loved every second of the show.
Truthfully, the first time I heard the disc, I wasn't partial to it. But over time, it's become one of my favorite discs. There are so many strong songs on the record. I think the reason it took awhile to grow on me is for exactly the reason Dick Valentine suggests in various interviews. Each song represents a sign of the Zodiac and as each sign is assigned different qualities and attributes, so indeed do the tracks on this disc possess a variety of musical styles and sounds.
It's a wild ride. Without a doubt.
There are two additional internet tracks I'm including in my review. One was a bonus track included only with the iTunes purchase and the second was a demo track the band posted online for their fans. The demo cut was intended for the album, but was left off. Sadly, because it's one of the strongest numbers recorded for this project.
The first track is 'After Hours'. Every album has an opening track that's very similar. They're all rock oriented and aggressive. These songs are often used as the opening songs in the live performance and sometimes rotate between shows. I've had the pleasure of seeing this song performed a few times and every single time, it's been an absolute joy. I dismissed it at first. Until I caught myself singing it under my breath while I worked or humming it as I drove. This is an incredible song and there's a quality about it (probably the strong piano track), that makes me think of Elton John.
Next up is 'American Cheese'. A rock n' roll track for sure, it continues the Americana of the album thus far and benefits from a complicated musical arrangement. There's a rush to the song. A need to push forward. Much like February, a month that is almost always in a hurry, this track moves quickly to completion. It's followed by one of my all time favorite E6 tracks... 'Clusterfuck!' There's no way to describe this one other than to say from the outset, it hits a groove you can't escape. It rocks you like a lover and delivers a sonic brain pounding unlike any other. This is one I sing along to at the top of my lungs! And it's awesome live.
'Countdown To The Countdown' is the 4th rocking track on the disc and thus far, everything's been coming on like a Mac Truck until 'Doom And Gloom And Doom And Gloom'. Although not a show stopper or a bottom dropper, this track definitely slows the pace of the record somewhat. After it, you're not quite sure where the album will go but 'Jam It In The Hole' brings the tempo back up and sets you right back rocking your socks off. This is another popular live track.
'I Am A Song!' has a more traditional pop flare and even features some doo wop singing towards the end. It's followed up by another track I consider a favorite, 'It Ain't Punk Rock'. As nonsensical as this song can be, it's also one of my favorite so sing along with and party down to. I absolutely love this number.
'Love Song For Myself' sounds almost like something Evil Cowards would do. It's got all the techno bells and whistles they're famous for and are sometimes featured heavily in other E6 songs. Here, it keeps the tempo but adds a techno twist that's highly enjoyable. It's followed by 'The Rubberband Man'. It's a cover of a track done by The Spinners and although the song is almost note for note a direct cover of the original, Electric Six make it more interesting, more fun and more entertaining. Highly recommend listening to this track a few times. It's fun!
'Table And Chairs' is an interesting number but probably my least favorite on the album. I'm much more partial to the final track, 'Talking Turkey'. It's another strong track and one I absolutely love.
The final two internet tracks are 'I Can Translate' and 'Typical Sagittarius'. This song has a strong Tait Nucleus influence and it sorta describes the direction the album was supposed to go. It's very techno and seems to be another Evil Cowards outtake. You can still find it online on youtube.
Ultimately, Zodiac is another masterpiece disc from E6 and is quite enjoyable from start to finish. My final words: ALL SIGNS POINT TO ZODIAC BEING IN YOUR HOUSE TONIGHT! BUY IT NOW!
ELECTRIC SIX - ZODIAC
01. After Hours
02. American Cheese
03. Clusterfuck!
04. Countdown To The Countdown
05. Doom And Gloom And Doom And Gloom
06. Jam It In The Hole
07. I Am A Song!
08. It Ain't Punk Rock
09. Love Song For Myself
10. The Rubberband Man
11. Table And Chairs
12. Talking Turkey
INTERNET ONLY TRACKS
13. I Can Translate
14. Typical Sagittarius
