RAVE 'TIL DAWN - RAVE 'TIL DAWN

This is a compilation disc of various rave groups in the early 90's when rave was taking off.  Most of the groups are Euro electronic outfits.  And almost half of the material comes from Praga Kahn and Oliver Adams of Lords Of Acid fame.

I originally had this collection on tape and I loved it so much when I found it on CD I had to buy it.  The songs are interesting and often humorous.  And the beats are quite infectious.  However, on recent listening, I feel the music is a bit dated.  It hasn't aged well at all.  Lol.

The first track is from a Belgium artist going by the name Ottorongo.  A basic shout and response song, 'Fuck You' is basically just a list of organizations the artist wants to rebel against.  Not exactly deep philosophical lyric content, and it's not a song you can play in public.  This one, although enjoyable, hurts the compilation in my opinion.  It limits the play-ability of the disc.  It's followed by 'Jump'.  The Movement was a short lived dance band who signed a record deal in 1992 after they changed the lyrics from this song from "Jump, motherf*cker, jump" to "Jump, everybody, jump".  This is another song that hurts the compilation.

The next track is 2 Unlimited's 'Get Ready For This'.  This band is made up of Dutch and Belgian members.  They had a series of hits throughout the early 90's and continue to record.  It's probably the most popular song on the collection and also my least favorite.  I never really got into this group.  Blue Pearl appear next with 'Can You Feel The Passion' and is a duo consisting of Youth musician, Martin Glover and American diva, Durga McBroom.  I love this song.  It's got great lyrics and an infectious sound.  One of the strongest on the record.

Code Red is the first LOA Trio number appearing on the disc.  'Dreamer, Dream' was released as a single under the band name, Code Red.  As previously mentioned, Code Red is just a pseudonym for Lords Of Acid.  It's an ok, number but you can tell it's one of the first these guys worked on.  The production is a little bogged down.  It's an interesting idea and blends a little  bit of house in with the chorus.

Two Little Boys are a band I know absolutely nothing about but I love the song, 'Stylophonia'.  It's fantastic and quite fun.  Next up is Praga Khan's 'Injected With A Poison'.  This song has been used on so many compilations and appeared on multiple albums and singles.  It's almost impossible to follow it through the years.  This version seems to be one of the original if not the actual original.  Once again, the LOA Trio strike!

English band, Shut Up And Dance are next with 'Green Man'.  This one is a bit of a challenge.  It makes use of progressive scales in a repetitive motif as a music.  Although that can be highly creative, here it slows the progress of the song down and feels like you're waiting for something to go nowhere.  Lords Of Acid make an official appearance on the release with 'Take Control'.  It's a good song, though not their best.  And it works nicely on this collection.  The final number is a LOA Trio number called 'A Million Colors' by Channel X.  Channel X was a bit more than just a pseudonym for Khan, Adams and Lierop; they actually released an entire album of music under this band name. 

So it's a great little collection and gives you a comprehensive idea of what was happening with Rave music in 1992.  My final words:  A FUN BUT UNNECESSARY CHRONICLE.

RAVE 'TIL DAWN - RAVE 'TIL DAWN

01. Ottorongo - Fuck You (Singalongmotherfucker Mix)

02. The Movement - Jump (Mutha Mix)

03. 2 Unlimited - Get Ready For This (Orchestral Mix)

04. Blue Pearl - Can You Feel The Passion (Palladium Mix)

05. Code Red - Dreamer, Dream

06. Two Little Boys - Stylophonia

07. Praga Khan Featuring Jade 4 U - Injected With A Poison (MNO Power Mix)

08. Shut Up & Dance - Green Man (Rum & Black Mix)

09. Lords Of Acid - Take Control

10. Channel X - A Million Colors

BOYGIRL - DEMO LP

BoyGirl is comprised of the members of Cooler Kids! I'm not sure why they switched to this name, but they did. The new material isn't the same as the Cooler Kids stuff in a number of ways... It's got a darker edge to it. The lighthearted pop is gone. However, that's not to be unexpected. The more familiar I became with Kaz Gamble's music, the more I realized he was drawn to darker, more sinister projects. At least he likes to dip his toes in evil's swimming pool. There's a great big feeling lurking behind all of these songs. I feel like if Kaz ever let go and embraced his potential, he'd spearhead another industrial empire similar to the one Praga Khan created with Lords Of Acid, Channel X and any one of a number of side projects he developed. As it stands now, Gamble moves from one collaboration to another and usually lets his collaborator decide on the direction the music will go.

The downside to this approach is his collaborators. In the case of Sisely Treasure, she's a limited singer and dancer. She could be awesome under the right direction, but when she's left to her own devices she writes mediocre lyrics and substandard dance moves. She needs a target to shoot for and in a situation where the target isn't as obvious as filling in for the former lead singer of an already established group, she can't define herself. Letting her take the lead produces disappointing results.

Despite the occasional embarrassing lyric, the CD features more highlights than let-downs. The opening track 'Catch Me', is a great opener. It's energetic and on the light side. It would've worked as a Cooler Kids track. It's followed up by my favorite track on the disc and also the track that indicates the minor themes of the album. It's a song about almost stalker-like waiting and an obsessive interest in another person. It's odd, disproportionate and brilliant. 'Take Me There' is another potential Cooler Kids number. However, it deals with a woman wanting her man to open up to her. 'Roses' has an incredible music track, but the lyrics deal with a lolita-like tale of a young girl.

'Stranded', 'Beginning To End' and 'Missing U' are all songs with great music tracks and even some interesting vocal arrangements. 'Last Breath' is the next track that really stands out. The music reminds me of a Nine Inch Nails song, but I can't quite put my finger on which one. I'll have to research it further and edit this entry later to include it.

The rest of the album falls into the roughly the same category... The music is strong, different and inventive. The lyrics often fall into generic themes with some interesting vocal arrangements from time to time. The last two numbers, 'GBoys/BBoys' and 'Diamond Age' are both interesting and unique enough to merit some attention. All in all, this is a noteworthy (though somehow incomplete) follow-up to the Cooler Kids disc. It certainly does give one the feeling greater things could come, but since the duo have disbanded and no longer record together, it's a shot in the dark. However, if you really loved Cooler Kids and felt jipped when the group disbanded after one album, here's your chance to get that final high before you quit them cold turkey. Don't count Kaz Gamble or Sisely Treasure out just yet. Both continue to make music and there's always a chance one of them will see success in one incarnation or another. My final words: AN EPILOGUE OF SORTS, BUT STILL ENJOYABLE.

BOYGIRL - DEMO LP
01. Catch Me
02. Krush
03. Take Me There
04. Roses
05. Stranded
06. Beginning To End
07. Missing U
08. Last Breath
09. Comfortable
10. So Famous
11. Allright
12. I Want You
13. GBoys/BBoys
14. Diamond Age